David Gryn blog

Posts Tagged ‘Expo Chicago’

New Daata Editions Artist Releases – Now Available

In Artune, Daata, Daata Editions, daataeditions, David Gryn, Expo Chicago, Jeremy Couillard, Lu Yang, Photofairs, Shanghai, Societe Berlin, Uncategorized, yours, mine & ours on 04/09/2017 at 8:37 am
DaataEditionsSciFiFont

Jeremy Couillard on Daata Editions

Coinciding with Daata Editions collaboration with PHOTOFAIRS | Shanghai – there are two new artist releases, the new FREE DOWNLOAD by Lu Yang and six new short artworks by Jeremy Couillard.

Jeremy Couillard’s new commissioned artwork ‘Suite for Absynth in D minus USB 1008’ is curated by yours, mine & ours gallery, and available for purchase on Daata Editions from Sept 7.

The release coincides with Daata Editions at PHOTOFAIRS Shanghai (Sept 7), EXPO CHICAGO (Sept 13) and then a dedicated screening evening on Sept 18 at Ludlow House NYC featuring the artwork, along with Jeremy Couillard, Patton Hindle and David Gryn in conversation.

‘Suite for Absynth in D minus USB 1008’: Titles and digitally altered music from Bach’s Cello Suite No. 2 in D minor BWV 1008 form the backdrop for each environment where a rat duck man named Uncle Sad Bedroom travels through fantastical video game versions of different moons in our solar system trying to find his place.

TRAILER

Screen Shot 2017-07-30 at 13.43.51

Lu Yang, LuYang Interactive Hearse, 2017

LuYang Interactve Hearse, 2017 by Lu Yang 

The Daata Editions Commission, powered by Artune

Released online and featured at PHOTOFAIRS | Shanghai on Sept 7  

陆扬的互动灵车 – 2017年陆扬作品

Daata Editions委约作品, 由Artune赞助支持, PHOTOFAIRS影像上海艺术博览会

Conversations: Friday, September 8, 2.30 – 3.15 pm

PHOTOFAIRS | Shanghai at the Shanghai Business Center

What Next?  Photography, Moving Image and the Internet

Introduction: Jefferson Hack (CEO, NOWNESS)
Moderator: Robin Peckham 
Speakers: David Gryn (Director, Daata Editions), Lu Yang (Artist) and Michael Xufu Huang (Collector & Co-founder, M-Woods Museum, Beijing)

David Gryn, Michael Xufu Huang in conversation with artist Lu Yang, moderated by Robin Peckham, exploring the relationship between photography, moving image and internet based art.

 

TRAILER

Advertisements

A-V curated by Amanda Schmitt on Daata Editions

In A-V, Alexandra Drewchin, Amanda Schmitt, Anna Barham, Byron Westbrook, Celia Hollander, Daata Editions, David Gryn, Expo Chicago, FlucT, Maria Antelman, Marina Rosenfeld, Soho House Chicago, Uncategorized on 02/09/2017 at 10:04 am

drewchin-alexandra

Daata is delighted to present A-V a sound exhibition curated by Amanda Schmitt, including artists Maria Antelman, Anna Barham, Alexandra Drewchin (Eartheater), FlucT (Monica Mirabile and Sigrid Lauren), Celia Hollander ($3.33), Marina Rosenfeld, and Byron Westbrook. Four of the artists have been invited to consign an edition for Daata Editions.

Maria Antelman – [sin-taks]
Anna Barham – Sick Ardour
Alexandra Drewchin (Eartheater) – Wark
FlucT (Monica Mirabile and Sigrid Lauren) – Main Tool is a Dummy
Celia Hollander ($3.33) – DRILL
Marina Rosenfeld – Room Recording With Two Events, Geese, Notation (Deathstar, Portikus, April 10, 2017)
Byron Westbrook – Interval/Habitat

A-V will be released online on Sept 12 and played at a Daata Sound evening at Soho House Chicago (Sept 12) and in Chicagophony, a Daata mix tape selection at Ace Hotel Chicago (Sept 13-17) to coincide with Daata Editions as curator of EXPO Sound at EXPO CHICAGO.

A-V will also be featured in a Daata Editions latest releases mix tape at Sunday Art Fair, London Oct 5-8.

Image: Alexandra Drewchin

EXPO Sound at EXPO CHICAGO curated by Daata Editions

In Chicago, Daata, Daata Editions, daataeditions, Expo Chicago, Navy Pier, Sound, Uncategorized on 11/08/2017 at 11:45 am
larry-achiampong-01-the-beginning-19-degrees_1

Image: Larry Achiampong, The Ascent (100 Degrees), 2016

EXPO CHICAGO partners with Daata Editions and Navy Pier to present the inaugural EXPO Sound program (September 13–17, 2017). Curated by Daata Editions, an online platform for the sale of commissioned artist video, sound and web art editions, launching new artworks by selected international artists—the program featuring artists: Larry Achiampong, Tracey Emin, Leo Gabin, Rashaad Newsome and Hannah Perry, will be complemented by works from artists represented by EXPO CHICAGO 2017 Exhibitors.

“Artist sound—like artist video, performance and digital work—is being increasingly exhibited due to the dynamic and experiential nature of the medium, paired with its all-encompassing and ephemeral presence,” said Daata Editions Director David Gryn. “The artist as performer, musician and entertainer is ever sought after in our global calendar of art events, but somewhere in all of this is the truth and essence of art making, with the outcome of very real, tangible and brilliant works of art.”

Sound is truly art for everyone. You can try and contain it – but when it is released it purvades our every pore. 

Last year in walking around the Navy Pier – I realised that I couldn’t escape from the piped pop music of Britney Spears through the public speaker system, which for the area of a food mall makes sense, but for the path leading to an art fair – not so much sense. So I mention this, in my incredulity, to Fair director Tony Karman and he simply responds “why don’t you curate Sound for 2017 ?”

So this year EXPO Sound is born, playing artist sound works primarily from Daata Editions commissioned artists as well as selected works from Expo Chicago gallery submissions. 

The program will be installed throughout the public speaker system at Navy Pier—along the South Dock, within the exposition entrance, and on the /Dialogues Stage.

2017 EXPO Sound Artists:
Larry Achiampong | Daata Editions
Tracey Emin | Daata Editions
Leo Gabin | Daata Editions
Jared Madere | David Lewis Gallery, New York
Rashaad Newsome | Daata Editions
Hannah Perry | Daata Editions
Cheryl Pope | moniquemeloche, Chicago
Xaviera Simmons | David Castillo Gallery, Miami
Nick van Woert | GRIMM, Amsterdam

GUIDED TOUR OF EXPO SOUND: DAVID GRYN. Friday September 17 at 3:00pm. Join curator David Gryn, Director of Daata Editions (www.daata-editions.com) for an exclusive guided tour of the inaugural program of EXPO Sound. Launching new artworks by select international artists, the program will be complemented by artists represented by EXPO CHICAGO 2017 Exhibitors, installed throughout the public speaker system at Navy Pier.

Daata Editions features Artist Sound at Soho House Chicago with Scott Reeder, David Gryn and Amanda Schmitt in conversation (Sept 12) and launching a new sound project on Daata, A-V curated by Amanda Schmitt featuring new sound works by Maria Antelman, Alexandra Drewchin, FlucT, Marina Rosenfeld.

For more information, visit: https://www.expochicago.com/ & https://daata-editions.com/

See ArtNews

 

Saya Woolfalk – All the colours of a rainbow

In Art Basel, Art Basel in Miami Beach, Art Fair, Daata, Daata Editions, daataeditions, digital art, Expo Chicago, POSTmatter, Saya Woolfalk, Uncategorized, Video Art, wetransfer on 15/09/2016 at 8:40 am

saya-woolfalk-color-mixing-machine-6-web

ALL THE COLOURS OF THE RAINBOW

by POSTmatter Editors | September 7, 2016

A CONVERSATION WITH SAYA WOOLFALK ON CULTURAL MIXES, UTOPIA AND HER NEW COLLABORATION WITH DAATA EDITIONS AND POSTMATTER. “I AM DEEPLY INTERESTED IN PLAY AND THE POSSIBILITIES THAT EMERGE THROUGH PROCESSES AND I TRY TO BRING TOGETHER THINGS THAT MAY NOT GENERALLY BE FUSED TOGETHER”

Saya Woolfalk is a New York-based, Japanese-born interdisciplinary artist. Using science fiction, fantasy, anthropology and semiotics, she explores the alternative utopian possibilities of identity. Melding dance, video, animation and sculpture in a number of ongoing projects, she offers fantastical narratives of cultural hybridity to expand traditional visions of the present and ideas of the future.
In a recent public performance piece that took over New York’s Fulton Centre, she paired performance with interactive app technology to offer passers by a glimpse into her kaleidoscopic imagination. It is one in a series of pieces that builds the story of the Empathics, a fictional race of women who Woolfalk is writing as unbound by the limits of genetics.
In collaboration with Daata Editions, we preview one artwork from Woolfalk’s upcoming 2016 series Color Mixing Machine. In it, she continues to build the story of the Empathics through ritualistic digital creations that reimagine what it means to be human. The full set of artworks will run in POSTmatter from 29th September, and are available to buy on Daata Editions, an innovative digital platform representing contemporary moving image and sound artists. Our preview and interview with Woolfalk is presented in association with WeTransfer.

PM: What is the mission of your fictional future female species, the Emphatics, and the space they inhabit, ‘No Place’?
SW: ‘No Place’ is a project I worked on from 2006 to 2008 with filmmaker and anthropologist Rachel Lears. The No Placeans are plant humans from the future who change gender and colour, transform into the landscape when they die, and repurpose refuse into usable technologies. The Empathics are people in the present who establish something called the Institute of Empathy (IoE) to study No Place. The IoE encounters a grouping of No Placean bones and fungus on the bones stimulates their physiological mutation and cultural transformation. This mutation allows the Empathics to easily cross species by integrating foreign genetic material into their DNA.

PM: From performance to digital to textile, your art practice includes a comprehensive range of materials, forms and processes. What is your process for developing new multimedia pieces?
SW: I usually start with an idea, which changes as I make the physical work. I create drawings, mock-ups and digital renderings and then create physical prototypes. Both the mock ups and prototypes are edited as I go along. Many are discarded or stored as parts for future projects. I constantly move through multiple media and I work simultaneously in many.

PM: What is it about the history of craft as a practice that appeals to you and how do you see it as remaining prominent in a time when analogue methods are being outpaced by automation?
SW: I was taught by feminists at Brown University, and the work done at Judy Chicago and Miriam Schapiro’s Womanhouse was incredibly influential for me when I began making my own work. The students who created that project reimagined and reconstructed a home to integrate alternative logics into its structure. Their use of craft based practices to transform the domestic appealed to me as a kitchen table way of making art that could address larger social issues.
I also use many digitally methods to produce work. I have created augmented reality garments, digital video and animation, as well as vinyl wall papers printed from vectorised files. However, I try to maintain a relationship to the handmade by using original hand-printed artworks and collages as the raw material for the creation of the work.

PM: Can you discuss the notions of hybridity that feature in your work?
SW: I am deeply interested in play and the possibilities that emerge through processes and I try to bring together things that may not generally be fused together. When I started working on the Empathics project, I was inspired by the dual notion of a chimera. A chimera is both an imaginary female monster with disparate parts, and a scientific term for a genetic organism composed of two or more genetically distinct tissues—for example, partly male and partly female. This is one of my entry points into thinking about hybridity.

PM: What is your personal relationship with religion and spirituality, and how has it influenced your work?
SW: Many of the forms I use evoke the religious and spiritual. I do this to set a tone for my audience, so they have a sense that they are entering a state of liminality. My own life is relatively secular, although I was raised Catholic on my father’s side and Buddhist on my mother’s.

PM: It feels as if you are envisioning a model for a future that prioritises indigenous belief-systems, the female, digital innovation and harmony. This stands out as optimistic at a time when futuristic visions are so often grey, mechanic and dystopian. Is your commitment to a sense of joy, communion and hope a deliberate choice or natural occurrence for you when making work?
SW: The Empathics were conceptualised as a group of humans who became incredibly receptive to the introduction of foreign genetic material. I wanted to explore how morphology and culture are mutable through contact and creolisation. As I make work, I explore narratives that offer my audience a sense that there may be positive solutions for our often-dystopian visions of the future. I would say that yes, I make a deliberate choice to offer a sense of hope.

This interview is published in partnership with WeTransfer, as part of our series exploring the creatives who push the boundaries between digital and physical space in new and surprising ways. See Saya Woolfalk’s work custom moving image piece on WeTransfer here.
The six works from ‘Color Mixing Machine’ are now Online at Daata Editions, in association with POSTmatter, and are now available to buy online. Daata will be exhibiting a specially created artwork by Saya as part of the project at Expo Chicago, in conjunction with this POSTmatter and Daata Editions collaboration.

Saya is represented by Leslie Tonkonow Gallery NYC