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Archive for the ‘Art Basel in Miami Beach’ Category

Film & Sound at Art Basel in Miami Beach 2017

In 303, Anat Ebgi, Art Basel, Art Basel in Miami Beach, Art Basel Miami Beach, Chicago Film Archives, Corbett Vs. Dempsey, Daata, Daata Editions, daataeditions, David Gryn, Gio Marconi, Hans Berg, Jen DeNike, Jibade-Khalil Huffman, Lisson, Tin Ojeda, Uncategorized on 21/11/2017 at 3:12 pm
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Art Basel in Miami Beach 2017 – Trailer

From December 7 to December 9, 2017, Art Basel will present a premier program of film and video works that focus on the universal language of dance and movement. Selected from the show’s participating galleries by David Gryn, Director of Daata Editions and Artprojx, this year’s program will present films by artists Jibade-Khalil Huffman (Anat Ebgi), Jen DeNike (Anat Ebgi) and Tin Ojeda (303), as well as a series of short films by Robert Stiegler, Samantha Hill, Morton & Millie Goldsholl, Ruth Page, Larry Janiak, Helen Morrison & Sybil Shearer, Helen Morrison & Sybil Shearer, Latham Zearfoss all from the Chicago Film Archives (Corbett Vs. Dempsey) collection. Sound is by Hans Berg (Gio Marconi, Lisson). These featured artist programs take place at SoundScape Park, New World Symphony, Miami Beach.

TRAILER

In addition, Marian Masone, New York-based film curator, has selected ‘Boom For Real: The Late Teenage Years of Jean-Michel Basquiat’ (2017), directed by Sara Driver, for a special cinema screening. Art Basel, whose Lead Partner is UBS, takes place from December 7 to December 10, 2017 at the Miami Beach Convention Center.

Full Press Release: ABMB_2017_l_Film_announcement

 

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Image still: Free Jazz Vein 2017, Tin Ojeda (303 Gallery)

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David Gryn Interview on Artload

In Art Basel, Art Basel in Miami Beach, Art Basel Miami Beach, Artload, Artprojx, Artprojx Cinema, Daata, Daata Editions, daataeditions, David Gryn, Digital, digital art, Uncategorized on 16/11/2017 at 3:52 pm

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The Artload interview, David Gryn

David is Founder/Director of Daata Editions and Artprojx and is Curator of Film & Sound, Art Basel in Miami Beach.

Interviewed by Artload’s Vivian Gandelsman

See full interview here: http://artload.com/video/david-gryn

Youtube

Pratt x New World Symphony = BLINK, BURN – Miami Beach, Dec 7

In Art Basel, Art Basel in Miami Beach, Blink Burn, New World Center, New World Symphony, Pratt, Uncategorized on 08/11/2017 at 3:32 pm

ABMA

Please join us this December!

Pratt x New World Symphony present
BLINK, BURN.

A unique performance during Art Basel in Miami Beach 2017
Followed by a cocktail reception co-hosted by Pratt Alumni Miami Network

Thursday, December 7
6pm Performance
7pm Reception

SunTrust Pavilion, New World Center, 500 17th Street, Miami Beach

Free and open to the public; reservations and more information at

http://www.nws.edu/events-tickets/concerts/blink-burn/

Please join us for BLINK, BURN, a new addition to the landscape of Art Basel in Miami Beach. This collaboration between Pratt Institute and New World Symphony (NWS) explores the creative possibilities that emerge when film/video artists engage deeply with sound artists/musicians. This yearlong collaboration, conceived by David Gryn, curator of Film & Sound for Art Basel in Miami Beach and Director of Daata Editions, will culminate in a high-profile visual/aural event on December 7 during Art Basel in Miami Beach. It will feature original video work by select Pratt students accompanied by NWS fellows’ live sound performance.

PROGRAM

BLINK, BURN, led by Lisa Crafts at Pratt and Michael Linville at NWS and London based artist Molly Palmer, encompasses four different video and musical pieces that explore the general theme of human impact and the multifaceted, complicated nature of humanity.

Lifeblood

Composed by Christopher Hernacki (Bass Trombone Fellow) and Zach Manzi (Clarinet Fellow)
Performed by Nick Castellano (Horn Fellow), Christopher Hernacki and Zach Manzi
Moving Images by Alexander Mejia with creative partner Sieanna Janae Williams

In this piece, the artists explore elemental life forces such as water, blood, and human life. Building upon these elements, the artists introduce humans as the life blood of the cities they occupy.

Zodiac Suite

Performed by Andrew Chilcote (Bass Fellow)
Moving Images by Lou Goncalves

This piece introduces several reimagined astrological signs with corresponding planets, colours, symbols and elements. Based on a musical composition by Lucas Drew.

Ex Materia

Mary Reed (Bass Fellow): performing her original composition: Cosmicomics
Moving Images: Natalie Carvallo, Emma Dold, Holly Durgan, Lauren Kolar

The central theme for this piece is creation and destruction in the natural cycle of life.

Utopia

Utopia, composed by Ludek Wojtkowski (Violin Fellow)
Moving Image by Christopher Rutledge with creative partner Lauren Pedrosa

This work tackles climate change through 2D and 3D animation and live footage. The visuals invoke rising sea levels, the destruction of earth, and its rebirth.

https://www.pratt.edu/the-institute/public-programs/

Conception idea:

The idea to bring both entities together has emerged after my many years of working with Art Basel in Miami Beach as both Film and Sound Curator, and hosting the screening program taking place in Soundscape Park at the New World Symphony. It is aimed at the empowerment of students and future artists at the time of the annual city’s focus of the art fair and bring student bodies together to explore true collaboration, which for any filmmaking and most creative disciplines is so valuable and vital. (David Gryn)

 

 

 

 

David Gryn: Sound and Vision

In Alimantado, Art Basel, Art Basel in Miami Beach, Art Basel Miami Beach, Art Fair, Daata, Daata Editions, daataeditions, David Gryn, Film, keren cytter, Miami, Miami Beach, Uncategorized, Wilhelm Sasnal on 24/11/2016 at 11:50 am

Returning to curate the Art Basel Miami Beach Film program for a sixth year, David Gryn explains why music has inspired his choices, and how audiences can catch a glimpse of the ‘Best Dressed Chicken in Town’.

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Each year, as evening darkens the skies over Art Basel Miami Beach, visitors gather on the lawns of SoundScape Park to experience video works from some of the world’s most exciting artists. Sharing picnics, drinks, or simply being absorbed by art, they sit beneath the towering 7,000 square foot projection wall of the New World Center as it displays a program of films carefully chosen by curator David Gryn.

“My selections are quite instinctive,” says Gryn. “I am often attracted by artworks that affect me like music does; a thud in my chest, reverberations through my body, tingles down my neck and spine.” Fittingly then, music is the theme of this year’s program. “As [the New World Center is] a concert venue, music is inherent to the place we show the work and contextually it has a strong resonance. Asking galleries to submit films which engage with music in some way felt like a natural choice.”

Through this year’s theme, Gryn hopes to create a larger-than-life show to excite and engage the broadest possible audience. “Music is something universal. When you have dialogue in a certain language, you often exclude people outside it. Music, like art, crosses that divide – a sort of abstract language that has its own voice and says something about the human condition.”

Be enveloped by art

The program includes a set of 28 short films screened under the title Best Dressed Chicken in Town. “This was named after the 1970s reggae track by Doctor Alimantado, which has long inspired me. The idea behind it was to combine artworks using music and sound which, over the program’s two hour span, swell to a crescendo,” Gryn explains. And though he will not be drawn on a favorite this year (“I picked them, so they’re all my favorites!”), he singles out Terrorist of Love by Keren Cytter as being a film which never fails to make him smile, while Wilhelm Sasnal’s Kiss is “utterly wonderful.”

In addition to the screening of films, this year also heralds the third edition of Surround Sound, a specially commissioned program of sound works designed to take full advantage of SoundScape Park’s 160 speaker surround sound system. “I view my role as that of a facilitator. I aim to serve the artwork, the artist, and the gallery well by presenting pieces which will have the most resonance with the audience in the setting that we have.”

The communal act of experiencing art in this way is something special, says Gryn. “You get a sense of excitement, something you can palpably feel. You really do see an audience being enveloped by art. That’s what this platform achieves – and it encourages galleries, their artists, and a wider audience to take time with mediums that often don’t get much of a look in at events like this. There’s not another experience quite like it in the context of an art fair. Period.”

 

Taken from an Art Basel Interview https://www.artbasel.com/post/detail/2653

Film and Sound at Art Basel in Miami Beach 2016 – Program

In ABMB, Art, Art Basel, Art Basel in Miami Beach, Art Fair, artists, Artprojx, Best Dressed Chicken in Town, Daata, Daata Editions, David Gryn, Film, Film and Video, Film Library, Miami, Miami Beach, New World Center, New World Symphony, SoundScape Park, Uncategorized on 23/11/2016 at 10:18 am

 

abmb-2016

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Film & Sound at Art Basel in Miami Beach 2016. 

Curated by David Gryn, Director of Daata Editions. 

Nov 30 – Dec 3. 

Soundscape Park, New World Symphony Center, Miami Beach.

Details:

Weds Nov 30

6pm

Surround Sound artworks in SoundScape Park. A compilation of sound works by Ain Bailey, Zoë Buckman, A.K. Burns, Jonathan Montague, Molly Palmer (supported by The Fountainhead Residency) and Susannah Stark. Soundcloud info

8pm

Best Dressed Chicken in Town – a compilation of artworks. 

Tromarama, Psylocibin, 2010, 51ʺ; Edouard Malingue.
Ana Mendieta, Anima, Silueta de Cohetes (Firework Piece), 1976, 2ʹ23ʺ; Lelong
Anri Sala, Mixed Behaviour, 2003, 8ʹ19ʺ; Hauser & Wirth.
Derrick Adams with Ramon Silva, My Jesus Piece, 2014, 2ʹ38ʺ; Rhona Hoffman.
Samson Young, The Coffee Cantata (Institute of Fictional Ethnomusicology), 2015, 6ʹ06ʺ; Edouard Malingue.
Kudzanai Chiurai, Moyo, 2013, 5ʹ33ʺ; Goodman Gallery.
Edgardo Aragón, La encomienda, Perú, 2013, 4ʹ45ʺ; mor charpentier.
Luther Price, Singing Biscuits, 2006, 4ʹ; Callicoon.
Catharina van Eetvelde (with music by To Rococo Rot), Glu, 2007, 2ʹ28ʺ; Greta Meert.
Ara Peterson, Alsatian Darn, 2011, 4ʹ17ʺ; Ratio 3.
Matt Copson, Sob Story, 2016, 5ʹ; High Art.
Martin Creed, Work No. 2656 Understanding, 2016, 3ʹ11ʺ; Hauser & Wirth.
Jillian Mayer, I am Your Grandma, 2011, 1ʹ3ʺ; David Castillo.
Kovásznai György, Memory of the Summer of ‘74, 1974, 9ʹ15ʺ.
Tromarama, Serigala Militia, 2006, 4ʹ22ʺ; Edouard Malingue.
Kim Gordon, Proposal for a Dance, 2012, 12ʹ; 303 Gallery.
Li Shurui and Li Daiguo, The Shelter: All Fears Come from the Unknown Shimmering at the Edge of the World, 2012/2016, 3ʹ09ʺ; White Space Beijing.
Adam Shecter, Study for Satellites 4 (Train), 2016, 1ʹ52ʺ; 11R.
Brian Alfred, Chromacity, 2016, 4ʹ17ʺ; Ameringer McEnery Yohe.
Dashiell Manley, It and another other, 2015, 3ʹ33ʺ; Jessica Silverman.
Haroon Mirza, Adhãn, 2009, 4ʹ54ʺ; Lisson.
Zak Ové, A Land So Far, 2016, 6ʹ30ʺ; Vigo.
Cabelo, Itamambuca Dub, 2014, 4ʹ; Marilia Razuk.
Lena Daly, Trix, 2016, 5ʹ; Various Small Fires.
Nate Boyce, Repossesion Seqeunce II, 2016, 4ʹ30ʺ; Altman Siegel.
Tomislav Gotovac, Ella, 1966, 3ʹ25ʺ; Gregor Podnar.
Rodney Graham, A Little Thought, 2000, 3ʹ54ʺ; Hauser & Wirth.
Keren Cytter, Terrorist of Love, 2016, 3ʹ9ʺ; Nagel Draxler (A Free Downloadable Artwork commissioned by Daata Editions & Artspace)

10pm

Double Bill: Rita Ackermann and Christian Marclay

Rita Ackermann, Movement as Monument, 2011, 22ʹ30ʺ; Hauser & Wirth
Christian Marclay, Mixed Reviews (American Sign Language), 1999/2001, 30ʹ; Paula Cooper

Thurs Dec 1

6pm

Surround Sound artworks in SoundScape Park. A compilation of sound works by Ain Bailey, Zoë Buckman, A.K. Burns, Jonathan Montague, Molly Palmer (supported by The Fountainhead Residency) and Susannah Stark. Soundcloud info

8pm

Best Dressed Chicken in Town. A compilation of artworks by Ana Mendieta, Anri Sala, Derrick Adams with Ramon Silvera, Samson Young, Kudzanai Chiurai, Edgardo Aragón, Luther Price, Catharina van Eetvelde, Ara Peterson, Matt Copson, Martin Creed, Jillian Mayer, György Kovásznai, Tromarama, Kim Gordon, Li Shurui & Li Daiguo, Adam Shecter, Brian Alfred, Dashiell Manley, Haroon Mirza, Zak Ové, Cabelo, Lena Daly, Nate Boyce, Tomislav Gotovac, Rodney Graham, Keren Cytter.

10pm

New Parthenon: works by artists: Rashid Johnson, Ain Bailey/Sonia Boyce, Anna Grenman, Alex Prager, Penny Siopis.

Rashid Johnson, The New Black Yoga, 2011, 10ʹ57ʺ; Hauser & Wirth.
Ain Bailey, Sonia Boyce, Oh Adelaide, 7ʹ10ʺ.
Anna Grenman, Irminsul, 2016, 5ʹ.
Alex Prager, La Grande Sortie, 2015, 10ʹ; Lehmann Maupin.
Penny Siopis, The New Parthenon, 2016, 15ʹ26ʺ; Stevenson.

Fri Dec 2 

6pm

Surround Sound artworks in SoundScape Park. A compilation of sound works by Ain Bailey, Zoë Buckman, A.K. Burns, Jonathan Montague, Molly Palmer (supported by The Fountainhead Residency) and Susannah Stark. Soundcloud info

8pm

Best Dressed Chicken in Town. A compilation of artworks by Ana Mendieta, Anri Sala, Derrick Adams with Ramon Silvera, Samson Young, Kudzanai Chiurai, Edgardo Aragón, Luther Price, Catharina van Eetvelde, Ara Peterson, Matt Copson, Martin Creed, Jillian Mayer, György Kovásznai, Tromarama, Kim Gordon, Li Shurui & Li Daiguo, Adam Shecter, Brian Alfred, Dashiell Manley, Haroon Mirza, Zak Ové, Cabelo, Lena Daly, Nate Boyce, Tomislav Gotovac, Rodney Graham, Keren Cytter.

10pm

Double Bill: Liliana Porter and Alfredo Jaar

Alfredo Jaar, Muxima, 2005, 36ʹ; Lelong, Goodman Gallery
Liliana Porter, Actualidades/Breaking News, 2016, 22ʹ47ʺ; Sicardi

Sat Dec 3

6pm

Surround Sound artworks in SoundScape Park. A compilation of sound works by Ain Bailey, Zoë Buckman, A.K. Burns, Jonathan Montague, Molly Palmer (supported by The Fountainhead Residency) and Susannah Stark. Soundcloud info

8pm

Best Dressed Chicken in Town. A compilation of artworks by Ana Mendieta, Anri Sala, Derrick Adams with Ramon Silvera, Samson Young, Kudzanai Chiurai, Edgardo Aragón, Luther Price, Catharina van Eetvelde, Ara Peterson, Matt Copson, Martin Creed, Jillian Mayer, György Kovásznai, Tromarama, Kim Gordon, Li Shurui & Li Daiguo, Adam Shecter, Brian Alfred, Dashiell Manley, Haroon Mirza, Zak Ové, Cabelo, Lena Daly, Nate Boyce, Tomislav Gotovac, Rodney Graham, Keren Cytter.

10pm

Love Songs – Four Films by Wilhelm Sasnal

Wilhelm Sasnal, Love Songs, 2005, 10ʹ02ʺ; Anton Kern.
Wilhelm Sasnal, Kiss, 2002–2003, 4ʹ51ʺ; Anton Kern.
Wilhelm Sasnal, Developing Tank, 2015, 14ʹ22ʺ; Anton Kern.
Wilhelm Sasnal, The River, 2005, 23ʹ10ʺ; Anton Kern.

Daily (Nov 30 – Dec 4)

Miami Beach Convention Center Film Library:

In addition to the outdoor program, visitors will be able to individually (touch) screen over 50 works by artists such as Stephen Dean, Edith Dekyndt, Maggie Lee, Gabriel Lester, Shelly Nadashi, Sophie Nys, João Vasco Paiva, Betye Saar, Jason Simon, Su-Mei Tse and Tuo Wang, as well as all the artist listed in the outdoor programs.

The Film Library is next to the Magazine area and opposite the Salon and Conversations auditorium.

Talks:

Tues Nov 29. 11am-12.30pm

Insights at New World Center: The Music in Film & Sound, Art Basel in Miami Beach
Featuring: David Gryn, Kathryn Mikesell, Molly Palmer and John Kieser
New World Center, SunTrust Pavilion. RSVP/Details & Tickets: www.nws.edu/insights

Sun Dec 4. 2-3pm

Artist Talk – Conversations and Salon: Art Basel’s 2016 program in Miami Beach Convention Center, programmed by Mari Spirito. 

The Artist as Composer
Molly Palmer, Artist, London; Susannah Stark, Artist, London; Kathryn Mikesell, Founder, The Fountainhead Residency and Studios, Miami; Rachel Mason, Artist, Los Angeles. Moderator: William J. Simmons, Lecturer in Art History, City College of New York, New York. With an introduction by David Gryn, Curator of Art Basel’s Film sector and Founder of Daata Editions and Artprojx, London. Art Basel Press Release

Some More Links:

Art Basel Miami Beach

New World Symphony 

Time Out Miami

papermag MEGA guide

Art Basel Film Trailer

Fountainhead Residency

Molly Palmer

Daata Editions

 

The Artist as Composer – in Conversations and Salon series: Art Basel in Miami Beach 2016

In Art, Art Basel, Art Basel in Miami Beach, Art Basel Miami Beach, Art Salon, Artists Talk, Daata, daataeditions, Miami, Miami Beach, Music, New World Center, New World Symphony, Sound, SoundScape Park, talk, Uncategorized on 16/11/2016 at 5:45 pm
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molly palmer, fountain, 2016

Conversations and Salon: Art Basel’s 2016 program in Miami Beach. Art Basel’s Conversations and Salon series will bring together celebrated artists, galleries, art historians, writers, curators, museum directors and collectors from across the globe, including Alexandre Arrechea, Wafaa Bilal, Francesco Clemente, Mark Dion, Lady Bunny, Julio Le Parc, Glenn Ligon, Tony Matelli, Jill Magid, Hans Ulrich Obrist, Damián Ortega, Bernardo Ortiz, Molly Palmer, Howardena Pindell, HE Sheikha Hoor Al Qasimi, Howard Rachofsky and Sun Xun among others.

Sunday, December 4, 2016
2pm to 3pm | Artist Talk | The Artist as Composer
Molly Palmer, Artist, London; Susannah Stark, Artist, London; Kathryn Mikesell, Founder, The Fountainhead Residency and Studios, Miami; Rachel Mason, Artist, Los Angeles. Moderator: William J. Simmons, Lecturer in Art History, City College of New York, New York. With an introduction by David Gryn, Curator of Art Basel’s Film sector and Founder of Daata Editions and Artprojx, London.

The Conversations and Salon talks are programmed by Mari Spirito, Founding Director, Protocinema, Istanbul/New York.

 

info on all the talks art basel press release

notes.

The Art Basel in Miami Beach Film & Sound program in Soundscape Park will be Free to attend on Wednesday, November 30 thru Saturday, December 3. The surround sound program starts at 6pm until 8pm and repeats each of the days, this is a compilation of sound artworks, played nightly during the fair from 6pm until 8pm, featuring artists commissioned to create or reform work into surround sound installations. This year’s artists include: Molly Palmer, Sussanah Stark, Ain Bailey, Zoe Buckman, Jonathan Montague and A.K. Burns.

The Film program starts at 8pm each night with a two hour compilation, repeated daily, of 28 moving image artworks screened under the title ‘Best Dressed Chicken in Town’. Artists include: Ana Mendieta, Anri Sala, Derrick Adams with Ramon Silvera, Samson Young, Kudzanai Chiurai, Edgardo Aragón, Luther Price, Catharina van Eetvelde, Ara Peterson, Matt Copson, Martin Creed, Jillian Mayer, György Kovásznai, Tromarama, Kim Gordon, Li Shurui & Li Daiguo, Adam Shecter, Brian Alfred, Dashiell Manley, Haroon Mirza, Zak Ové, Cabelo, Lena Daly, Nate Boyce, Tomislav Gotovac, Rodney Graham, Keren Cytter.

With a title borrowed from a classic 1970s reggae song by Jamaican dj/singer Doctor Alimantado, this year’s short film program focuses on a selection of international artists who engage with music in a multitude of ways. All the films in this varied and exciting program demonstrate the power of music to attract an audience, keep it engaged, elicit suspense and tug at the heartstrings. Similar to classical symphony works, the order of the films builds up to a crescendo creating an awe-inspiring magic derived from the works in their entirety.

Each night at 10pm there are uniquely featured Film program’s including a Rita Ackermann, Christian Marclay Double Bill on Wednesday, November 30, and a Liliana Porter and Alfredo Jaar Double Bill on the Friday, December 2.

On Thursday, December 1 a feature titled New Parthenon, with works by artists: Ain Bailey & Sonia Boyce, Anna Grenman, Rashid Johnson, Alex Prager, Penny Siopis.

The final screening titled Love Songs is on Saturday, December 3 will include four short films by Polish artist Wilhelm Sasnal.

All the works have a strong relationship with music.

TIME OUT

https://www.timeout.com/miami/things-to-do/art-basel-miami-2016-film

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INSIGHTS: THE MUSIC in FILM & SOUND – ART BASEL in MIAMI BEACH
NEW WORLD CENTER

Tuesday, November 29, 11:00 am
New World Center, SunTrust Pavilion
Coffee, tea and light pastries will be served
Free with RSVP/ticket

Featuring David Gryn, Kathryn Mikesell, Molly Palmer and John Kieser

RSVP/Tickets: www.nws.edu/insights

David Gryn, the curator of Art Basel’s Film & Sound programming and Director of Daata Editions in conversation with Kathryn Mikesell, founder of The Fountainhead Residency & Studios, Miami, and Molly Palmer, a London based artist commissioned for the Surround Sound program and will be resident at Fountainhead. Hosted by John Kieser, Executive Vice President and Provost of the New World Symphony.

A conversation around the curation of this years Film and Sound programming for Art Basel in Miami Beach and its relationship to music, the New World Center, collaborations between the various organisations, artists, residencies, curators and future plans and aspirations. There will be a chance to join in the conversations and ask questions.

For more information on the 2016 Art Basel events in SoundScape Park: http://www.nws.edu/events-tickets/art-basel-at-soundscape-park/.

 

Surround Sound at Art Basel in Miami Beach 2016

In A. K. Burns, Ain Bailey, Art Basel in Miami Beach, ArtBasel, artists, Callcoon Fine Arts, Daata Editions, daataeditions, Donald Hayden, Jonathan Montague, MiamiBeach, Molly Palmer, New World Symphony, Sound, SoundScape Park, Surround, Susannah Stark, Uncategorized, Zoe Buckman on 08/11/2016 at 10:31 am
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Image: Film & Sound at Soundscape Park (photo courtesy Art Basel)

The Surround Sound Program 2016

Featuring Artists:
Ain Bailey
Zoe Buckman
A.K. Burns
Jonathan Montague
Molly Palmer
Susannah Stark

Selected by David Gryn, Director of Daata Editions and Curator of Film & Sound, Art Basel in Miami Beach

Soundscape Park, New World Symphony Center, Miami Beach 

FREE 6pm-8pm Daily during Art Fair days Weds/Thurs/Fri/Sat.

Soundcloud Compilation Playlist

http://daata-editions.com http://artbasel.com http://www.fountainheadresidency.com/

This compilation of sound artworks will be played nightly during the fair from 6pm until 8pm – when the Film program starts.

In addition to the program of films, this year marks the third edition of Surround Sound, a program through which we have commissioned artists to create or reform work into Surround sound installations. This year’s artists include: Molly Palmer, Sussanah Stark, Ain Bailey, Zoe Buckman, Jonathan Montague and A.K. Burns.

The Soundscape Park experience is unique in the artworld — and a well known location for Miami locals — featuring a huge 7000 sq ft screening wall, with a 160 speaker surround sound system. In the screening area Art Basel provides large beanbag cushions – several people can lounge per cushion. It provides a great calming antidote to the frenetic pace of the Art Fair in the day and the plethoras of other events and parties at night.

NSD/TSD by Ain Bailey

NSD/TSD is a work exploring the natural acoustics of the New World Symphony Centre. This will be achieved by generating audio material from the environments internal soundscape, and composing a multichannel sound work from the resulting audio for presentation on the 160 speaker Surround Sound System in Soundscape Park. The project’s genesis stems from an ongoing research project entitled ‘AGORA’ which takes as a starting point the acoustics of sites such as churches, cinemas and gallery spaces, where people come together to form transitory assemblies.

Ain Bailey is a sound artist, living and working in London, UK. Her current practice involves an exploration of architectural acoustics, live performance, as well as collaborations with performance, visual and sonic artists. Among these is performance/visual artist Jimmy Robert, who commissioned Bailey to create a composition for his 2016 show ‘Desendances du Nu’ at the CAC-Synagogue de Delme, France. Bailey has exhibited and performed both nationally and internationally, and ‘Oh Adelaide’ her collaboration with the artist Sonia Boyce, has shown in London at Tate Britain and the Whitechapel Gallery, and The Kitchen, New York, to name but a few international art spaces. Bailey is also a doctoral scholar at Birkbeck, University of London.

One Round by Zoe Buckman

The audience stand amidst the sound of a speed bag being rhythmically hit in a boxing gym. The sound of the leather hitting the wood: hard and succinct, builds to an almost aggressive quality as it is picked up in surround sound, yet the repetition of this specific sound allows for an almost hypnotic or meditative experience.

The sounds one hears in a boxing gym have a testosterone-heavy quality to them. However during the time Buckman has spent in these spaces, she has drawn parallels between the strength, endurance and confidence needed to survive there, with female-centric experiences such as childbirth.

Zoë Buckman (b.1985, Hackney, East London) is a multi-disciplinary artist working in sculpture, photography, embroidery and installation, exploring themes of feminism, mortality and equality. Buckman’s work has been shown in solo exhibitions including Every Curve at Papillion Art, Los Angeles; Present Life at Garis & Hahn Gallery, New York and group exhibitions internationally including Truth to Power, a group show at the Democratic National Convention, Philadelphia, Making and Unmaking, at Camden Arts Centre, London, curated by Duro Olowu; For Freedoms, at Jack Shainman Gallery, NYC; Game On!, at Children’s Museum of Arts, NYC; To Be Young, Gifted & Black, Goodman Gallery, Johannesburg South Africa.

Leave No Trace (Side A) by A.K. Burns (Callicoon Fine Arts)

“Leave No Trace” is an analog audio project by A.K. Burns that is a limited edition vinyl record with a custom plastic bag, a pair of nitrile gloves and a poem. The recording combines ambient environmental recordings, the artist’s own voice, sounds generated from found materials and an old electric guitar. Leave No Trace, is part of a cycle of related works that use science fiction as a point of departure to rework relationships between bodies, nature, technology, territories and resources. The title refers to wilderness ethics as well as pointing to ways one leaves a mark, is codified and recorded.

A.K. Burns (b. 1975) lives and works in Brooklyn, NY. Burns is a 2016-17 Radcliffe Fellow through the Radcliffe Institute for Advanced Study at Harvard University, where she is developing an ongoing project, Negative Space, a cycle of multi-media installations. The opening episode A Smeary Spot, debuted at Participant Inc, NY in the Fall of 2015. A new iteration will be exhibited at the Portland Institute of Contemporary Art, September 2016. The work was initiated with the generous support of a Creative Capital Foundation Visual Arts Award and additional support for this work is being provided through the Education Department’s Spring 2017 Research & Development Season at the New Museum, where Burns is currently in residence. The residency will culminate with an exhibition opening January 2017.

http://www.akburns.net/projects/leave-no-trace/

Plundaphonic by Jonathan Montague

Ubik Radio Music Festival, Sound Installation, 2016
Using the narrative of the science fiction paradigm, the notion of self is questioned through sampling the audio back catalogue of my past. To then propose a future self of automated sounds in the format of a radio broadcast. Included is one selected track from the Radio show.

Using space as a material with the motion and affects of sound, I investigate the spatial narrative created via the inhabitation of the viewer, and the perception of sound. My background in Architecture informs the way in which work can inhabit a place and the spatial parameters of its context; giving insight into the way in which boundaries and intersections of spatial territory could be manipulated then occupied. Through investigation into the sonic potential properties of space and sound, conditions of an affect laden automated future, are addressed through access to a dialogue positioned in giving agency to dismantling notions of a predefined future. In my work I use my past as a material to sculpt and modulate, to create a future narrative. With reference to a speculative notion of self-identity, I generate work through a process of dis and re-association with the sampling of self.

Sirens by Molly Palmer
 (Supported by Fountainhead Residency)

There are sounds that follow you from place to place. In the cities while you wait for sleep, the sirens are a voice that makes a map – a long hand sketching lines between the buildings. This is a story and a song, but it is also a dream and a drawing. Sometimes a sound takes on a shape and lies down in your skull. An amoebic symbol stretching out from your bed to the edge of the night. The stereo version of this track uses binaural sound and benefits best from listening with headphones. 

Molly Palmer is a London-based artist who works within and between the media of music, installation, choreography and filmmaking. Using handmade props, sets and costumes to produce layered video worlds, she green-screens her protagonists into parallel places, where music, gesture and dialogue form cyclical narratives that explore the strangeness concealed within ordinary things. Palmer graduated from Royal Academy Schools this year, where she won the Gold Medal. Recent exhibitions and screenings include Berwick Film and Media Arts Festival, Berwick-Upon-Tweed, RA Schools Show 2016, Royal Academy, London, Talk So I can See You, curated by Pil & Galia for the Czech Cultural Foundation, London, Premiums, Royal Academy, London, The Fade : touring solo show at CCA, Glasgow, Enclave, London and Torna, Istanbul, and Mono 5, curated by Rafal Zajko at The Courtyard Theatre, Hoxton, Herðubreið Theater Cinema, Seyðisfjörður, Bikini Wax, Mexico City and MUPU, Oaxaca.

The Wheel (featuring Don Hay) by Susannah Stark 

The Wheel, featuring vocals by London-based artist/musician Donald Hayden, is a recording in two parts that run parallel, intersecting across each other and finally together at once and on top of each other in a sculptural experience. Low-fi effects create a sense of echo and disorientation, a technique that was used in dub tracks in the 70s to bring about a metaphoric space of freedom and change, punctuated by layers of disembodied, digitised voices, like those that occur in the contemporary urban environment. This history is revisited to expose and uncover elements of language embedded in our everyday experience. The Wheel is about slowing down, peeling away words on the surface: the language of advertisement, spam, media and public manipulation, telesales and broadcasting, highlighting the flow of things – language – traded in a capitalist marketplace, inviting people to look beyond the constraints of the work and the language that is presented to them.

Susannah Stark is a scottish artist and printmaker, working with multimedia installation and sound, incorporating or involving issues of voice, power and reappropriation. This is part of an ongoing process of exploring how much of the western identity can be constructed from diverse popular sources and how the mouth may be the modulator for such regurgitations and formations. Her work explores the slippages between objects and voices translated from digital experience, to highlight and challenge material hierarchies.

Soundcloud

Art Basel Press Release

Art Basel Facebook

Artlyst News

ABMB Film Trailer

TIME OUT

Join us for a talk at the New World Symphony

http://www.nws.edu/events-tickets/concerts/insights-the-music-in-film-sound-with-david-gryn/

http://www.nws.edu/events-tickets/art-basel-at-soundscape-park/

The Best Dressed Chicken in Town – Film and Sound at Art Basel in Miami Beach 2016 – curated by David Gryn

In Art Basel, Art Basel in Miami Beach, Art Fair, Daata Editions, David Gryn, Film, Miami, Miami Beach, Papermag, Uncategorized, Video on 01/11/2016 at 4:30 pm
jillian_mayer_i_am_your_grandma_2011_david_castillo_hires-2

Jillian Mayer, I am your Grandma, 2011 (courtesy the artist and David Castill0 Gallery)

Best Dressed Chicken in Town curated by David Gryn, Director of Daata Editions

A compilation of artworks by Ana Mendieta, Anri Sala, Derrick Adams with Ramon Silvera, Samson Young, Kudzanai Chiurai, Edgardo Aragón, Luther Price, Catharina van Eetvelde, Ara Peterson, Matt Copson, Martin Creed, Jillian Mayer, György Kovásznai, Tromarama, Kim Gordon, Li Shurui & Li Daiguo, Adam Shecter, Brian Alfred, Dashiell Manley, Haroon Mirza, Zak Ové, Cabelo, Lena Daly, Nate Boyce, Tomislav Gotovac, Rodney Graham, Keren Cytter.

Screenings daily at 8pm on Weds Nov 30, Thurs Dec 1, Fri Dec 2, Sat Dec 3.

Film & Sound at Art Basel in Miami Beach 2016

Soundscape Park, New World Symphony Center, Miami Beach

artbasel.com/miami-beach/film

With a title borrowed from a classic 1970s reggae song by Jamaican dj/singer Doctor Alimantado, this year’s short film program focuses on a selection of international artists who engage with music in a multitude of ways. All the films in this varied and exciting program demonstrate the power of music to attract an audience, keep it engaged, elicit suspense and tug at the heartstrings. Similar to classical symphony works, the order of the films builds up a crescendo to create an awe-inspiring magic derived from the works in their entirety.

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Tromarama, Serigala Militia, 2006 (courtesy the artists and Edouard Malingue)

dr-alimantado-best-dressed-chicken

Papermag Mega Guide to Art Basel Miami Beach 2016

More info from the Art Basel Press Release:

Film: Art Basel announces details of its 2016 Film program in Miami Beach.

From November 30 through December 4, 2016, Art Basel will present a premier program of over 50 film and video works by some of today’s most exciting artists from North and South America, Europe, Asia and Africa.

Selected from the show’s participating galleries by David Gryn, Director of Daata Editions and Artprojx, this year’s program will include ‘Muxima’, the first film by Chilean-born artist Alfredo Jaar, as well as a silent film about music by Christian Marclay and a new work by Liliana Porter.

The program will also include short films by Edgardo Aragón, Ain Bailey and Sonia Boyce, Cabelo, Kudzanai Chiurai, Martin Creed, Keren Cytter, Kim Gordon, Rodney Graham, György Kovásznai, Rashid Johnson, Li Daiguo, Li Shurui, Jillian Mayer, Ana Mendieta, Haroon Mirza, Ara Peterson, Alex Prager, Anri Sala, Wilhelm Sasnal, Tromarama and Samson Young among many others.

Screenings will take place both in SoundScape Park on the 7,000 square-foot outdoor projection wall of the New World Center, as well as on dedicated touchscreen monitors within the Film Library at Art Basel’s show in the Miami Beach Convention Center.

In addition, Marian Masone, New York based film consultant and strategist, has selected ‘Maurizio Cattelan: Be Right Back’ (2016) directed by Maura Axelrod, for a special screening at the Colony Theatre on Friday, December 2.

Returning for his sixth year, curator David Gryn presents several works that engage with music, including a set of 28 short films screened under the title ‘Best Dressed Chicken in Town’ after a classic 1970s reggae song by Jamaican singer Doctor Alimantado.

The lineup focuses on a selection of international artists who engage with music in a multitude of ways. A ‘Double Bill’ program will pair two film works that share similar themes or approaches to an intense musical score: Rita Ackermann (b. 1968) and Christian Marclay (b. 1955) on Wednesday, and Liliana Porter (b. 1941) and Alfredo Jaar (b. 1956) on Friday.

The late screening on Thursday, December 1 will feature works by sound artist and DJ Ain Bailey (b. 1963), with Sonia Boyce (b.1962), along with pieces by Anna Grenman (b. 1984), Rashid Johnson (b. 1977), Alex Prager (b. 1979) and Penny Siopis (b. 1953).

The final presentation on Saturday, December 3 will include three early films by Polish artist Wilhelm Sasnal (b. 1972), in which he added visual accompaniment to enhance the aural experience, along with a recent work, in which the score directly drives the narrative, replacing spoken words.

Every evening, directly preceding the Film program, surround sound works by Ain Bailey, Zoë Buckman, A.K. Burns, Jonathan Montague, Molly Palmer and Susannah Stark will be presented on the state-of-the-art surround system in SoundScape Park.

In conjunction with the outdoor film screenings, over 50 works have been selected to be shown exclusively within Art Basel’s designated Film Library at the Miami Beach Convention Center. Visitors will be able to individually screen over 50 works by artists such as Stephen Dean, Edith Dekyndt, Maggie Lee, Gabriel Lester, Shelly Nadashi, Sophie Nys, João Vasco Paiva, Betye Saar, Jason Simon, Su-Mei Tse and Tuo Wang. The Film Library is accessible inside the fair halls on touch-screen monitors during show hours. Access with a show entrance ticket.

On Sunday, December 4 at 2pm, Art Basel’s Salon program will feature ‘The Artist as Composer’, a talk between the artists Rachel Manson, Molly Palmer and Susannah Stark, and Kathryn Mikesell, Founder of The Fountainhead Residency and Studios in Miami. The talk will be moderated by William Simmons, author, Hyperallergic, New York, with an introduction by Film and Sound curator David Gryn.

Art Basel entry tickets include admission to Salon.

The Film sector’s Media Partner is Time Out. For the full gallery list for Film, please visit artbasel.com/miami-beach/film

Art Basel Facebook page

Time Out – Things to do at Art Basel in Miami Beach https://www.timeout.com/miami/things-to-do/art-basel-miami-2016-film

 

 

 

 

 

 

 

 

Saya Woolfalk – All the colours of a rainbow

In Art Basel, Art Basel in Miami Beach, Art Fair, Daata, Daata Editions, daataeditions, digital art, Expo Chicago, POSTmatter, Saya Woolfalk, Uncategorized, Video Art, wetransfer on 15/09/2016 at 8:40 am

saya-woolfalk-color-mixing-machine-6-web

ALL THE COLOURS OF THE RAINBOW

by POSTmatter Editors | September 7, 2016

A CONVERSATION WITH SAYA WOOLFALK ON CULTURAL MIXES, UTOPIA AND HER NEW COLLABORATION WITH DAATA EDITIONS AND POSTMATTER. “I AM DEEPLY INTERESTED IN PLAY AND THE POSSIBILITIES THAT EMERGE THROUGH PROCESSES AND I TRY TO BRING TOGETHER THINGS THAT MAY NOT GENERALLY BE FUSED TOGETHER”

Saya Woolfalk is a New York-based, Japanese-born interdisciplinary artist. Using science fiction, fantasy, anthropology and semiotics, she explores the alternative utopian possibilities of identity. Melding dance, video, animation and sculpture in a number of ongoing projects, she offers fantastical narratives of cultural hybridity to expand traditional visions of the present and ideas of the future.
In a recent public performance piece that took over New York’s Fulton Centre, she paired performance with interactive app technology to offer passers by a glimpse into her kaleidoscopic imagination. It is one in a series of pieces that builds the story of the Empathics, a fictional race of women who Woolfalk is writing as unbound by the limits of genetics.
In collaboration with Daata Editions, we preview one artwork from Woolfalk’s upcoming 2016 series Color Mixing Machine. In it, she continues to build the story of the Empathics through ritualistic digital creations that reimagine what it means to be human. The full set of artworks will run in POSTmatter from 29th September, and are available to buy on Daata Editions, an innovative digital platform representing contemporary moving image and sound artists. Our preview and interview with Woolfalk is presented in association with WeTransfer.

PM: What is the mission of your fictional future female species, the Emphatics, and the space they inhabit, ‘No Place’?
SW: ‘No Place’ is a project I worked on from 2006 to 2008 with filmmaker and anthropologist Rachel Lears. The No Placeans are plant humans from the future who change gender and colour, transform into the landscape when they die, and repurpose refuse into usable technologies. The Empathics are people in the present who establish something called the Institute of Empathy (IoE) to study No Place. The IoE encounters a grouping of No Placean bones and fungus on the bones stimulates their physiological mutation and cultural transformation. This mutation allows the Empathics to easily cross species by integrating foreign genetic material into their DNA.

PM: From performance to digital to textile, your art practice includes a comprehensive range of materials, forms and processes. What is your process for developing new multimedia pieces?
SW: I usually start with an idea, which changes as I make the physical work. I create drawings, mock-ups and digital renderings and then create physical prototypes. Both the mock ups and prototypes are edited as I go along. Many are discarded or stored as parts for future projects. I constantly move through multiple media and I work simultaneously in many.

PM: What is it about the history of craft as a practice that appeals to you and how do you see it as remaining prominent in a time when analogue methods are being outpaced by automation?
SW: I was taught by feminists at Brown University, and the work done at Judy Chicago and Miriam Schapiro’s Womanhouse was incredibly influential for me when I began making my own work. The students who created that project reimagined and reconstructed a home to integrate alternative logics into its structure. Their use of craft based practices to transform the domestic appealed to me as a kitchen table way of making art that could address larger social issues.
I also use many digitally methods to produce work. I have created augmented reality garments, digital video and animation, as well as vinyl wall papers printed from vectorised files. However, I try to maintain a relationship to the handmade by using original hand-printed artworks and collages as the raw material for the creation of the work.

PM: Can you discuss the notions of hybridity that feature in your work?
SW: I am deeply interested in play and the possibilities that emerge through processes and I try to bring together things that may not generally be fused together. When I started working on the Empathics project, I was inspired by the dual notion of a chimera. A chimera is both an imaginary female monster with disparate parts, and a scientific term for a genetic organism composed of two or more genetically distinct tissues—for example, partly male and partly female. This is one of my entry points into thinking about hybridity.

PM: What is your personal relationship with religion and spirituality, and how has it influenced your work?
SW: Many of the forms I use evoke the religious and spiritual. I do this to set a tone for my audience, so they have a sense that they are entering a state of liminality. My own life is relatively secular, although I was raised Catholic on my father’s side and Buddhist on my mother’s.

PM: It feels as if you are envisioning a model for a future that prioritises indigenous belief-systems, the female, digital innovation and harmony. This stands out as optimistic at a time when futuristic visions are so often grey, mechanic and dystopian. Is your commitment to a sense of joy, communion and hope a deliberate choice or natural occurrence for you when making work?
SW: The Empathics were conceptualised as a group of humans who became incredibly receptive to the introduction of foreign genetic material. I wanted to explore how morphology and culture are mutable through contact and creolisation. As I make work, I explore narratives that offer my audience a sense that there may be positive solutions for our often-dystopian visions of the future. I would say that yes, I make a deliberate choice to offer a sense of hope.

This interview is published in partnership with WeTransfer, as part of our series exploring the creatives who push the boundaries between digital and physical space in new and surprising ways. See Saya Woolfalk’s work custom moving image piece on WeTransfer here.
The six works from ‘Color Mixing Machine’ are now Online at Daata Editions, in association with POSTmatter, and are now available to buy online. Daata will be exhibiting a specially created artwork by Saya as part of the project at Expo Chicago, in conjunction with this POSTmatter and Daata Editions collaboration.

Saya is represented by Leslie Tonkonow Gallery NYC

Artspace – My Favorite Works from LISTE 2016 – preview

In Andrew Goldstein, Art Basel, Art Basel in Miami Beach, Artspace, Bauer Hotel, Daata, Daata Editions, daataeditions, David Gryn, Jane Bustin, Liste, NADA, Uncategorized on 06/06/2016 at 8:48 pm

Daata Editions Director David Gryn’s Favorite Works from LISTE 2016

http://www.artspace.com/magazine/contributors/picks/david-gryn-liste-picks-53886

By Artspace Editors

June 6, 2016

Daata Editions Director David Gryn's Favorite Works from LISTE 2016

Daata Editions Director David Gryn. Photo by Alberto de Nart (shot at the Bauer Palladio, Venice)

David Gryn is the director and co-founder of the year-old digital art and video collecting platform Daata Editions and the film curator at Art Basel Miami Beach, so it’s perhaps unsurprising that his picks for LISTE 2016 tend toward moving images, technological interventions, and outide-the-box thinking of all kinds. Read up on the rationale behind his selections here, and stop by the fair from June 14-19 in Basel, Switzerland for more art world action.

MICHAEL AUDER
Gemälde II, 2015
Fonti

auder

As someone who ostensibly works with artists of the moving image I was compelled to select Michel Auder, a rare artist that seamlessly crosses the terrain between both art and filmmaking. Here’s a quote from Michel Auder that matches my thoughts on this selection: “When people ask me what’s the best thing I like, my head starts scrambling and I just can’t think of anything. Depending on the day, I might say this or that. I really don’t have any specific thing that I like better than others.”

 

JESSE DARLING
Colonel Shanks, 2016
Arcadia Missa

Jesse Darling

The Jesse Darling works shown by Arcadia Missa have a great sense of self, humor, and balance. I have been aware of Jesse and her work for some time and it is really getting the attention it deserves.

INGA MELDERE
“Students painting some of the remarkable scenery in the park”, 2016
Temnikova & Kasela Gallery

meldere

I have always been a big fan of the “sublime,” so this humorous Caspar David Friedrich-esque take by Inga Meldere took me by surprise. Temnikova and Kasela Gallery is an Estonian gallery and an art world gem.

 

SHANA MOULTON
Every Angle is an Angel, 2016
Galerie Crevoecoeur

moulton

Last year I selected Shana Mouton’s MindPlace ThoughtStream for the film program I curate for Art Basel Miami Beach—I knew how much I valued the work as I took endless images of it whilst it was playing on the huge 7000 square foot outdoor screen. I recently spent many days with Shana’s moving image works as a Daata Editions neighbor to the Gregor Staiger space at Independent Brussels and was mesmerized by the work’s magic. They are witty, aesthetic, intelligent, and spellbinding—they really are complete artworks.

 

ERKKA NISSINEN
Vantaa, 2007
Ellen de Bruijne Projects

nissinen

Crazy, funny, dark, engaging, bizarre—everything we should want from a great Finnish artist. Brilliant.

 

XIMENA GARRIDO-LECCA
Destilaciones, 2014
80m2 Livia Benavides

lecca

I have been increasingly observing that ceramics making their presence felt at art fairs. This is chiefly because my wife, the artist Jane Bustin, makes wonderful artworks with ceramic and porcelain (as well as paint, metals and fabrics)—my eye has been altered irrevocably to look more and more at this medium. This Ximena Garrido-Lecca installation at 80m2 Livia Benavides is earthy, historical, current, and intriguing.

 

DAWN KASPER
M44, 2016
David Lewis

kasper
I am drawn to these Dawn Kasper sculptures, as I am obsessed with music intersecting with art making.

 

YURI PATTISON
dust scraper fan 1.9 (power and wealth to honor leaders or religions to stretch architectural limits), 2016
mother’s tankstation

pattison

Yuri Pattison pushes the boundaries of our art world and how data engages with us all. I’m hugely looking forward to his first UK institutional show at Chisenhale opening in July, as well the outcomes of his winning the Frieze Artist Prize for 2016.

 

GERDA SCHEEPERS
The Style, 2016
Blank

scheepers

Gerda Scheepers makes collages that disturb and disrupt, but are cohesive and use disparate materials to create an aesthetic whole.


Notes:

Overall in my selections I have been somewhat drawn to similar sculptural forms and colours evolving from a variety of materials (Sheepers, Pattison, Kasper, Darling) and obviously (to me) selecting some moving image works (Nissinen, Moulton, Auder), as they are great and it is vital that galleries at art fairs bring art forms that do not necessarily have the same commercial allure as 2d object based artworks, but as art mediums that are being used by most artists, which you would not believe, if you only ever saw artworks at art fairs.

I am always looking at/and for moving image and sound works at art fairs … and alas, rarely find much. It has been my work for over the last 15 years – being focused on showing artists moving image works and most often projects during major art fair periods, as this is when the finite art audience reaches its highest demand for art consumption. 

Liste, like NADA, Sunday, etc … gives us hope in the art world that there is the potential for great new galleries, new artists, new ideas – before the cyclical homogeneity (albeit often great!) of the major art fair commercial allure sets it.